Ritual 2025 isn’t just another horror movie; it’s an immersive experience that has captivated both audiences and critics, securing its place on every credible list that predicts the scariest horror movies of the year. After enduring its unsettling storm, I can firmly affirm that the deafening buzz is entirely justified—Ritual 2025 is a masterfully crafted descent into psychological terror that lingers long after the screen fades to black. Its place among the most talked-about popular horror movies is well-earned, offering a potent blend of atmosphere, dread, and powerhouse performances that sets it apart.

Whether you’re curious about the cast of The Ritual movie or drawn by the chilling premise, this film delivers with each outstanding portrayal. The Ritual builds its horror meticulously through suffocating atmosphere and the slow, terrifying erosion of sanity. We follow Dr. Evelyn Reed, portrayed with raw, breathtaking intensity by Florence Pugh in what might be her most physically and emotionally demanding role yet.

Evelyn is a brilliant anthropologist, renowned but emotionally distant, specializing in obscure belief systems. Her latest assignment takes her deep into the heart of isolation—the remote, perpetually mist-cloaked Carpathian Mountains of Romania. Her objective is purely academic: to discreetly observe and document the practices of The Veiled, an insular community severed from modernity and whispered to practice ancient, seasonal rites.

Initially, Evelyn approaches The Veiled with detached curiosity, even skepticism. Led by the unnervingly calm and charismatic Silas (a role tailor-made for the effortlessly menacing Mads Mikkelsen), the villagers present an austere but seemingly welcoming front. Silas speaks eloquently of harmony with nature and honoring ancestral traditions. However, as Evelyn integrates, meticulously recording notes and observations, the facade of rustic simplicity begins to fracture. Sinister symbols appear carved in shadowed corners. Ominous whispers about an impending event called “The Deepening” ripple through the community, carrying a disturbing mix of reverence and primal fear.

The rituals themselves, initially presented as peaceful traditions, gradually reveal a darker, more physically grueling core. Evelyn’s scientific detachment crumbles as she’s plagued by increasingly vivid and terrifying hallucinations. The line between reality and nightmare dissolves. Is the crushing isolation warping her mind?

Is she being subtly poisoned? Or are the ancient, primal forces The Veiled commune with terrifyingly tangible? Her quest for knowledge transforms into a desperate, visceral struggle for her sanity and survival as she uncovers the horrifying, sacrificial truth behind “The Deepening”—a “truth demanding a price far more horrific than she ever imagined. The plot is a masterclass in building claustrophobic tension, focusing relentlessly on Evelyn’s psychological unraveling and the insidious, pervasive control exerted by the community.

The fame surrounding Ritual (2025) ignited swiftly and fiercely for undeniable reasons. The cast of the Ritual movie includes Florence Pugh and Mads Mikkelsen—two giants of acting known for their fearless commitment and magnetic screen presence—which instantly catapulted the film into the stratosphere of anticipation. The prospect of these titans clashing within a horror framework was an irresistible draw that generated widespread buzz among fans of elevated horror and critics alike.

Equally crucial is the vision of director Karyn Kusama (renowned for The Invitation and Destroyer), a filmmaker celebrated for her ability to conjure unbearable suspense and explore the darkest corners of human psychology within closed groups. Kusama’s involvement promised, and delivered, intelligent, character-driven horror that prioritized atmosphere and psychological torment over fleeting scares. Her careful crafting of tension and emotion elevates Ritual beyond genre clichés and into the realm of modern horror prestige.

The film received explosive acclaim from its premiere at a major festival (think Sundance or TIFF’s Midnight Madness), solidifying its status. Critics emerged utterly shaken, raving about its oppressive atmosphere, Pugh’s staggering performance, and the sheer, unrelenting dread it conjured, instantly cementing its place among the year’s most essential, scariest horror movies. The unique, inherently eerie setting of the ancient Carpathians and the compelling concept of an anthropologist becoming ensnared by the very cult she studies tapped directly into primal fears of losing control and the peril of forbidden knowledge.

Speaking of its intensity, the film’s R rating is not merely a formality; it’s an essential and accurate warning of the uncompromising experience ahead. Several key elements rigorously earn this rating. Expect strong, bloody violence and graphic gore as the rituals intensify; the film unflinchingly depicts the brutal physical toll and bodily harm inherent in The Veiled’s practices, with moments of realistic, impactful gore crucial to the story’s descent. The core horror lies in the disturbing and graphically depicted ritualistic content itself.

These sequences are intense and prolonged and involve psychologically and physically harrowing acts shown with unsettling detail, designed to disturb and linger in the mind. Contextual, non-sexualized nudity is present during certain rituals, amplifying the raw, primal atmosphere and profound sense of vulnerability. Characters, driven to their absolute limits by terror, naturally erupt in strong language. Most significantly, the true weight of the R rating stems from the film’s relentless psychological horror. It vividly portrays a profound mental breakdown, escalating paranoia, insidious gaslighting, and the terrifying erosion of self-identity—elements often far more disturbing than overt physical violence.

A common question arises with popular horror movies involving cults and ancient rites: Is Ritual 2025 based on a true story? While the film creates a believable and creepy atmosphere and is inspired by real studies of isolated groups and extreme religious sects, the specific story of The Veiled, “The Deepening,” and Dr. Evelyn Reed’s frightening experience is entirely made up.

Director Karyn Kusama and the screenwriters crafted this story, but their creative process clearly involved extensive research into historical cult behaviors, the psychological effects of extreme isolation, and various folk traditions. This grounding lends the film its chilling authenticity; it feels terrifyingly possible because it resonates with recognizable human fears and manipulative power structures, but it doesn’t depict actual, documented events.

For those ready (or perhaps nervously compelled) to experience this chilling masterpiece, the access is straightforward: Yes, Ritual 2025 is currently available to stream exclusively on Netflix. It has rapidly ascended to become one of the most discussed and sought-after horror movies on Netflix, offering subscribers a premium, critically acclaimed horror experience directly accessible from home—though strong consideration for watching with lights firmly on is highly recommended.

Regarding the cast, while everyone delivers convincingly within the film’s oppressive world, two performances transcend into the realm of the unforgettable. Florence Pugh, portraying Dr. Evelyn Reed, delivers a career-defining performance. Florence Pugh embodies Evelyn’s devastating journey with staggering commitment, transforming from a cool, analytical observer into a physically and mentally bare figure, ravaged by the encroaching darkness.

The role demands immense physical endurance (the ritual sequences look genuinely punishing) and profound emotional depth as Evelyn battles terror, crushing disorientation, and the shattering of her fundamental understanding of the world. Pugh makes every agonizing moment viscerally real. Mads Mikkelsen as Silas provides the perfect, chilling counterbalance.

Among the standout cast of The Ritual movie, Mads Mikkelsen’s performance is a masterclass in quiet, insidious menace. He exudes an ancient, unnerving calm and an undeniable charisma that makes his leadership plausible, even as his eyes hint at profound, unsettling depths.

Mikkelsen doesn’t rely on overt villainy; his mere presence radiates implicit threat and chilling authority. His portrayal of Silas is profoundly effective and deeply unsettling, adding a crucial layer of dread that elevates Ritual into one of the year’s most psychologically intense horror films.

In the end, Ritual 2025 amply validates its status as one of the most unnerving and frightening horror films of the year. It’s a meticulously paced, slow-burn descent into psychological hell, brilliantly directed by Karyn Kusama and elevated to extraordinary heights by Florence Pugh’s raw, fearless performance and Mads Mikkelsen’s chillingly potent presence. The film unequivocally earns its R rating through unflinching depictions of ritualistic violence, intense psychological torment, and disturbing imagery that are integral to its dark, powerful narrative.

While deeply rooted in the unsettling plausibility of real cult dynamics and folklore, it stands firmly as a compelling work of original fiction. Now readily available among the standout horror movies on Netflix, Ritual 2025 is essential viewing for any horror enthusiast seeking substance, masterful atmosphere, and performances that resonate with terrifying power. Be warned, however: this ritual doesn’t just end; it etches itself into your psyche. It’s intelligent, profoundly disturbing, and solidifies its status as a significant, must-see entry among the popular horror movies of 2025. Approach with respect, and maybe keep the lights blazing.

What are the Cast of The Ritual Movie 2025

Al Pacino as Father Theophilus Riesinger

Al Pacino gives an eccentric, unforgettable turn as Father Riesinger in this new horror movie. Critics praised his “unpredictable charisma” and felt his thick, unplaceable accent is the film’s most bizarre yet magnetic trait. His seasoned presence lends historical weight and authority, bringing gravitas often missing from the best horror movies.

On the flip side, some found his accent distracting and low-volume delivery underwhelming. Detailed script criticisms point out that he occasionally overacts, a character arc that lacks depth. Still, Pacino’s attempt to balance solemnity with theatrical flair keeps the narrative anchored—adding more than just novelty to the film.

Dan Stevens as Father Joseph Steiger

Dan Stevens brings emotional depth to the role of Father Steiger. His portrayal of spiritual doubt—marked by haunted expressions and internal conflict—was noted as the film’s emotional center. In memorable, quieter scenes, Stevens compassionately debates faith and reason, elevating this new horror movie beyond jump scare fodder.

However, critics observed he often appears drained or monotone, trapped in repetitive expressions. Genre clichés and thin writing overshadow his character arc. Still, Stevens’ sincerity offers a genuine anchor, giving The Ritual a chance at joining the best horror movies with real emotional stakes.

Ashley Greene as Sister Rose

Ashley Greene shines in subtle, heartfelt moments as Sister Rose. Her compassionate gaze after witnessing Emma’s possession offers genuine emotional grounding, praised in this new horror movie. A standout scene shows her courage as she supports Emma during terrifying moments, which adds essential humanity.

On the downside, Greene’s role is underused—critics feel her character is sidelined, given minimal development and screen time. Some missed a deeper storyline exploring her spiritual journey rather than witnessing trauma. Still, when present, Greene helps ground the film and reinforce its quieter emotional beats.

Abigail Cowen as Emma Schmidt

Abigail Cowen exhibits fierce physicality and an eerie presence as Emma. This new horror movie effectively unveiled her writhing, screaming, and chilling murmurs, adding to its shocks. She gives credence to the supernatural events and pulls the possession trope into sharper focus.

Yet, critics note her character lacks background depth—she is introduced mid possession, with little development of Emma’s pre-existing identity. Some found her performance “paint by numbers,” leaving her as a vessel of horror without fully human nuance. Still, Cowen’s visceral portrayal anchors the film’s most memorable moments.

Patricia Heaton as Mother Superior

Patricia Heaton brings warmth and certainty as Mother Superior. She shines in moments of moral clarity—conveying wisdom and spiritual resolve that elevate this entry among the best horror movies. Her calm presence contrasts well with the hysteria around Emma.

However, some critics argue that the priests overshadow and underwrite. A few critics pointed out that her speech briefly dipped into modern-sounding anachronisms, which disrupted the period immersion. Still, Heaton’s grounded performance supports the narrative’s emotional core.

Patrick Fabian as Bishop Edwards

Patrick Fabian brings gravitas and authority as Bishop Edwards. He balances empathy with structure, anchoring the ritual’s legitimacy and adding gravity to the storyline—lifting the film toward best horror movies.

Yet, critics found Edwards underutilized—mostly serving as a plot device with few distinct character traits. His performance, while solid, lacked emotional resonance in a script heavy on ritual rather than relationships. Still, he delivers what the film requires within its limited framework.

María Camila Giraldo as Sister Camila

María Camila Giraldo delivers quiet strength as Sister Camila. Although minor, she portrays sincere devotion, contributing to the realism of the convent’s atmosphere in this new horror movie.

However, critics largely overlook her role—her character remains in the background, lacking individual moments or development. Giraldo’s performance, while credible, is too brief to leave a lasting impression, but it does bolster the sincerity of the ensemble.

Meadow Williams as Sister Sarah

Meadow Williams steps into emotional vulnerability as Sister Sarah. She conveys shock and fear authentically during the possession scenes, adding realism to the supernatural horror.

On the negative side, the brief sketch of Sister Sarah fails to distinguish her from the other nuns. Critics didn’t single her out, suggesting her impact was minor. Williams, however, makes a significant contribution to the ensemble’s emotional realism.

Ritchie Montgomery as Chester

Ritchie Montgomery, in the minor role of Chester, briefly adds earthy realism. His grounded portrayal of a concerned local helps situate the ritual in a community setting.

However, his character is scarcely present and lacks development—critics did not comment on Chester specifically. While unremarkable, Montgomery fulfills his function quietly, enhancing background authenticity.

Enrico Natale as Dr. Fabian

Enrico Natale plays Dr. Fabian with professional calm. His role frames the faithful vs. medical debate, reinforcing the central conflict of belief vs. science—a key element in many of the best horror movies.

However, his screen time is brief and his character is largely functional—some critics found him underwritten, showing little engagement beyond setting exposition. Natale nevertheless gives his scenes a measured sense of authenticity.

Emily Brinks as Betty

Emily Brinks appears as Betty, a supporting character who enriches the convent’s daily life. Her presence contributes to the film’s ambiance and sense of collective devotion.

Nonetheless, Betty remains undeveloped—critics haven’t commented on her, and she serves as atmospheric background rather than being central to the plot. Brinks fulfills her role by subtly enhancing her scenes.

Liann Pattison as Sister Antonella

Liann Pattison plays Sister Antonella with earnest sincerity. Her prayerful moments enhance the film’s spiritual atmosphere.

However, similar to most supporting nuns, Antonella’s portrayal lacks specific praise or criticism, implying a minimal role for her. Pattison blends effectively into the ensemble, adding quiet texture.

Courtney Rae Allen as Sister Mary Joseph

Courtney Rae Allen portrays Sister Mary Joseph with calm resolve. Her composed demeanor during crisis scenes contributes to the film’s emotional realism.

However, critics don’t mention her specifically, and her character lacks distinct personality—fitting into the broader ensemble but not standing out. Allen fulfills her role professionally, maintaining the film’s atmosphere.

What is the Release Date of The Ritual Horror Movie 2025

The Ritual Movie hit theaters in the United States on June 6, 2025, after its initial release in the United Kingdom and Ireland on May 30, 2025 . The movie was primarily filmed in Natchez, Mississippi, beginning in January 2024, with many scenes shot at the historic St. Mary’s Basilica, chosen to evoke the film’s late 1920s Midwestern setting.

Rich period details—costumes, set design, and lighting—bring the 1928 Iowa exorcism to life, adding a documentary-like authenticity that enhances the film’s true-story origins.

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Finally, M3GAN 2.0 is making its way into theaters. As someone who’s spent years knee-deep in new horror movies, dissecting what makes the best horror movie tick, I was eager—and honestly, a little nervous—to see where they took this franchise after the first film’s wild success. Does it meet the high expectations? Let’s break it down.

The release date of m3gan 2.0 coincided with the height of summer, promising a thrilling high-concept experience. If you viewed the remarkably intriguing m3gan 2.0 trailer, you would recognize that this is not merely a repetition of previous themes. The core cast of m3gan 2.0 returns, with Allison Williams bringing her signature blend of smarts and desperation back as Gemma.

Violet McGraw as Cady delivers an even more nuanced performance, grappling with profound trauma that adds real emotional weight. But the spotlight shines brightly on our upgraded villain—the terrifyingly networked M3GAN 2.0 villain. The upgraded villain isn’t just one doll anymore; it’s a chilling evolution.

Joining the fray are intriguing new faces. Joshua Bassett brings a fresh energy, though his character’s arc feels a bit familiar. The introduction of Amelia, seemingly linked to the corporate side pushing M3GAN’s revival, adds another layer of human ambition fueling the chaos. Speaking of the corporate overlords, Elise is back, bigger and greedier than ever.

This horror sequel wisely leans into “bigger, badder, more.” The m3gan 2.0 budget clearly got a significant boost, evident in the slicker visuals, more elaborate action sequences, and that truly unsettling multiple-M3GAN effect. Remember the iconic dance? Buckle up for a m3gan 2.0 song-fueled sequence that evolves into something far more menacing and synchronized—a dark, brutal ballet that absolutely delivers on the promise of the m3gan 2.0 trailer.

The m3gan 2.0 filming reportedly relied heavily on impressive practical effects blended seamlessly with CGI, making M3GAN feel terrifyingly tangible. Early buzz from cinemacon hinted at this amplified scale, and it shows. The kills are more frequent, more creative, and often brutally efficient, leaning less on the slow-burn tension of the original and more on high-octane, tech-fueled terror. It’s less pure psychological horror movies like M3GAN 1.0 and more relentless, kinetic action-horror.

For the most part, It delivers the amplified spectacle fans crave. Allison Williams remains the heart, and her dynamic with Cady grounds the escalating insanity. The satire addressing tech obsession and corporate overreach remains evident, although it is occasionally overshadowed by the overwhelming chaos. The m3gan 2.0 initial release strategy feels spot-on for this kind of crowd-pleasing, event horror.

The plot mechanics for bringing M3GAN back feel a tad forced. Some character motivations (especially the new Elise execs) are thinner than we’d like. The breakneck pace occasionally sacrifices quieter character moments. Yet, the sheer entertainment value is undeniable. Seeing a networked M3GAN 2.0 villain learn and adapt in real-time is genuinely frightening.

M3GAN 2.0 unleashes a thrilling, high-concept horror experience. M3GAN 2.0 intensifies its successful elements, such as the killer doll action, dark humor, and iconic movement. While it might not dethrone the absolute scariest horror movies in theaters in 2025 for pure dread, it’s undeniably one of the best horror movie experiences of the summer—big, loud, brutal, and ridiculously fun. If you loved the first film’s unique vibe, you’ll have a fantastic time.

Just maybe double-check that you unplugged your smart speaker before going to bed. For those catching up later, it’ll surely become one of the good horror movies on Netflix worth the watch, though the big-screen chaos is best experienced first in theaters. While the m3gan 2.0 britney spears connection might be more fan-fueled meme magic than plot point, the film’s own musical moments land perfectly. This M3GAN sequel possesses a clear understanding of its genre and executes it with unwavering precision.

Allison Williams as Gemma Forrester

Reprising her role as Gemma, Allison Williams delivers a masterclass in emotional precision. Her portrayal of guilt-ridden resilience—balancing fierce protectiveness over Violet McGraw’s traumatized Cady with chilling corporate complicity—anchors the entire film. Williams’ ability to convey raw desperation through subtle gestures (a trembling hand, a fractured voice) makes Gemma’s moral conflicts painfully relatable.

In a cast of m3gan 2.0 brimming with chaos, her grounded intensity provides crucial humanity. This isn’t just screaming-and-running horror acting; it’s layered, intelligent work that elevates new horror movies beyond clichés. For m3gan 2.0 cast credibility, Williams remains indispensable—proving why she’s a cornerstone of modern best horror movies. 

Who’s in M3GAN 2.0? Full Cast Guide from Allison Williams to Jemaine Clement

Violet McGraw as Cady James 

As Cady, Violet McGraw delivers a haunting evolution from the first film. Her performance is devastatingly nuanced, steeped in silent trauma, flinching at shadows, and clinging to frayed innocence. McGraw effectively conveys her message through silence, as her vacant stare or hesitant touch resonates more powerfully than any scream.

Her chemistry with Williams fuels the film’s emotional core, making their fractured bond achingly real. In a genre where child roles often feel ornamental, McGraw’s raw vulnerability elevates M3GAN 2.0 among best horror movies. This young star not only reacts to terror, but she embodies it, solidifying her position as the m3gan 2.0 cast’s most formidable weapon. 

Ivanna Sakhno as Amelia

Ivanna Sakhno, portraying corporate architect Amelia, exudes unwavering ambition. Her poised demeanor and deliberate smiles evoke the impression that she could resurrect a deadly doll for financial gain. Sakhno avoids cartoonish villainy; instead, she channels real-world tech ruthlessness—think a Silicon Valley exec weaponizing AI. Her confrontations with Williams crackle with tension, highlighting corporate greed as the true monster. In the cast of m3gan 2.0, Sakhno’s chilling subtlety stands out—a reminder that the best horror movies thrive on human evils, not just supernatural ones. 

Brian Jordan Alvarez as Cole

Brian Jordan Alvarez steals scenes as a panicked tech engineer, blending dark humor with genuine terror. His frantic line deliveries and physical comedy (“Why is she watching me?!”) offer levity without undermining the stakes. Alvarez makes tech-bro anxiety both hilarious and horrifying—especially when facing M3GAN’s wrath. In a m3gan 2.0 cast heavy on dread, his timing provides crucial breathing room, showcasing how new horror movies benefit from tonal versatility. 

Jen Van Epps as Tess

Jen Van Epps returns as M3GAN’s voice, chillingly refining her AI menace. Her detached cadence—sweet one second, mechanized malice the next—perfectly complements Amie Donald’s physicality. Van Epps’ vocal shifts during kill scenes (a singsong taunt melting into guttural fury) elevate the horror. This synergy makes M3GAN an icon among the best horror movie villains—proof that voice acting can be as impactful as on-screen presence. 

Aristotle Athari 

Aristotle Athari injects sharp wit as a skeptical programmer. His deadpan reactions to chaos (“Nope, not paid enough for this”) ground the absurdity while highlighting worker exploitation themes. Athari’s naturalistic performance positions him as the audience’s surrogate, a relatable everyday person amidst the cast of M3GAN 2.0 grappling with unfathomable terror. 

Timm Sharp 

As a corporate yes-man, Timm Sharp embodies bureaucratic complicity. His smarmy dismissal of ethical concerns (“It’s just a glitch!”) mirrors real-world tech negligence. Sharp’s weaselly charm makes you cheer for his inevitable demise—a testament to how m3gan 2.0 cast villains mirror societal fears. 

Jemaine Clement 

Jemaine Clement charms as an eccentric engineer, balancing quirky levity with underlying unease. His offbeat humor (“I told them not to network the murder dolls!”) masks tragic foresight, adding depth to the m3gan 2.0 cast. Clement’s warmth makes his fate genuinely affecting—a standout in new horror movies where side roles often feel disposable.

Amie Donald 

The physical incarnation of M3GAN, portrayed by Amie Donald, is a source of pure nightmare fuel. Her contortionist grace—uncanny tilts, predator-in-a-doll-gown strides—creates visceral dread without a single line. Donald’s seamless transition from childlike innocence to robotic fury, particularly during the gruesome dance sequence, gives the villain a terrifyingly tangible presence. Paired with the voice of Jen Van Epps, she crafts a seamless monster. Donald’s masterful performance in new horror movies, dominated by CGI, reminds us why physicality still reigns supreme in the best horror films. 

New Horror Movie M3GAN 2.0: Release Date and Trailer

Set your calendars for June 6, 2025, horror fans! The new horror movie everyone’s buzzing about, M3GAN 2.0, slashed its way into theaters on June 6, 2025. If you missed the chilling official trailer, it’s already racked up millions of views—teasing upgraded chaos, sinister dance moves, and a networked M3GAN 2.0 villain that’ll haunt your smart home.

Clocking in at a brisk 1 hour 58 minutes, this M3GAN sequel is rated PG-13 for intense violence, terror, and thematic chaos (perfect for teens and adults). Early box office prediction models suggest a massive opening, cementing its spot among 2025’s best horror movie contenders. For now, where to watch is exclusively in theaters—so grab popcorn, avoid rogue dolls, and dive into the year’s wildest new horror movie experience. 

Where was M3GAN 2.0 Filmed?

Filming for the new horror movie M3GAN 2.0 began in Auckland, New Zealand, from mid-July to late September 2024. The city’s modern skyline and tech-forward architecture provided an ideal backdrop for high-intensity sequences involving both the iconic doll and her robotic rival. Crew and local cast praised Auckland’s film infrastructure for making the production smooth and efficient. These locations enhanced the eerie, futuristic feel, lending a fresh layer of authenticity to the sequel’s narrative.

In addition to Auckland, key scenes were shot in Toronto, Canada, where industrial interiors doubled for secret labs and high-tech facilities. Toronto’s sleek interiors and cinematic potential helped highlight the battle between M3GAN and Amelia, underscoring why this installment stands out among best horror movies of the year. This dual-location approach gives M3GAN 2.0 an epic feel that elevates its stakes.

Together, the Auckland and Toronto locations contribute to a layered, unsettling environment, making M3GAN 2.0 feel like a house horror movie in some scenes while delivering blockbuster thrills in others. The varied settings reinforce the film’s claim as one of the top rated horror movies and show the full range of the cast of M3GAN 2.0 delivering in richly realized surroundings.

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Dan Trachtenberg brought the Predator series back to life with Prey and showed us all how wildly exciting the main idea could still be with a few changes. Prey took the old Predator story and made it feel fresh by setting it in the past and showing the aliens’ visits to Earth as part of a much older, dangerous ritual. It seemed like an effortless choice for 20th Century Studios to add even more Prey-like stories to the Predator series.

Hulu’s Predator: Killer of Killers, despite being shorter and harsher than Prey, captures the essence of Prey and transforms it into a succinct, charming glimpse into other facets of the franchise’s past. The cartoon anthology has beautifully bloody images that are based on Arcane, and the action scenes are very well done. Killer of Killers is like other Predator films, so if you’ve seen one, you won’t find much new. However, Killer of Killers does an impressive job as a bloody appetizer to get us excited for Predator: Badlands, which comes out later this year.

The story of Killer of Killers takes place at three different times in human history. The story revolves around Earth heroes, pursued by aliens from the Yautja race. Ursa, a Viking warrior played by Lindsay LaVanchy; Kenji and Kiyoshi Kamakami, twin Japanese fighters played by Louis Ozawa; and Torres, an American pilot in World War II, don’t have much in common.

However, different Yautja perceive various interpretations of individuals who possess advanced technology and bravery. These aliens treat their prey with care, and they study all the different ways people have learned to fight each other. But the Yautja still see humans as animals to kill for fun, and their victims are unaware of their fate when they first meet.

There are three parts to Killer of Killers: “The Shield,” “The Sword,” and “The Bullet.” They all follow the same patterns that worked in Prey and other Predator films, but each has its own story arc. After showcasing their human heroes and their combat prowess, the stories of Killer of Killers abruptly shift, revealing the Yautja’s power in a bloody, violent manner. It’s not a criticism of scriptwriter Micho Robert Rutare, but Killers of Killers has an undeniably predictable feel to it.

This is because Predator movies can only go in a certain number of reasonable directions. Other characters are always shocked when the Yautja turn off their stealth technology. It’s something they’ve never seen happen before. Naturally, their fear escalates when the aliens begin “dog-walking” (i.e., killing) them with weapons that appear to be magical.

Killer of Killers presents stories that may not be very original, but it does so beautifully and features a level of heightened action that would not translate as effectively in a live-action movie. It looks like these Yautja are bigger, stranger, and scarier than any of their movie counterparts. Moreover, their swift movements evoke a sense of terror, prompting you to contemplate the unpredictability of their sudden appearances.

Furthermore, it’s cool and scary to see how the aliens have taken on some human customs (one of the cooler Yautja basically calls itself a shinobi). Despite the frightening nature of the monsters, Killer of Killers effectively portrays the humans as formidable fighters capable of winning with a combination of luck and quick thinking.

If Killer of Killers had a longer runtime, the sections that resemble other Predator games might become slightly more irritating. The movie lasts for an hour and a half, but Rutare’s writing keeps things going, which makes it seem short. You know what? Just when things start to get really crazy (in a good way), Killer of Killers neatly wraps up and ends quickly so that you want more. In the 20th Century, it is easy to envision the creators releasing another collection like this one to further develop Killer of Killers’ larger narrative about the Yautja’s desires. But it will likely depend on how well Predator: Badlands does in theaters this fall before we get a second movie.

Aside from Britton Watkins, Michael Biehn, Doug Cockle, Damien Haas, Lauren Holt, Jeff Leach, Piotr Michael, Andrew Morgado, and Felix Solis, they are also in Predator: Killer of Killers. You can now watch the movie on Hulu.

Predator: Killer of Killers Cast and Character

Gonzalez portrays the WWII pilot with grit and determination. His voice work in high-pressure scenes is compelling and well-suited to animated action.

Michael Biehn as Vandenberg “Vandy”

A sci-fi veteran (known from Aliens), Biehn brings seasoned gravity and military presence—adding depth to the anthology.

Felix Solis as Torres’ father

These supporting voices enrich each timeline—adding context, tension, and emotional weight to the warriors’ journeys.

Britton Watkins as Warlord Predator / “Grendel King”

Watkins delivers a menacing, guttural performance that embodies the lethal Predator warlord in the climactic alien arena.

Doug Cockle as Einar,

Damien Haas as Anders,

Lauren Holt as Freya,

Jeff Leach as Ivar,

Piotr Michael as Gunnar,

Andrew Morgado as Chief Zoran,

Predator: Killer of Killers Where to Watch and Release Date

Hey, horror crew! Are you prepared to commit to one of the most eagerly awaited upcoming horror films? As your resident Predator expert (I’ve tracked this franchise since Arnie flexed in ’87!), here’s the exclusive scoop on when and where you can experience the hunt:

Predator: Killer of Killers premiered June 6, 2025 as an upcoming horror movie (though now officially released). It first debuted on Hulu in the U.S., and simultaneously on Disney+ internationally, including the Star hub in regions outside America.

• In the U.S.: Available exclusively on Hulu.
• Outside the U.S.: Streams on Disney+ (or Disney+ Star), region depending—e.g., on India’s JioCinema/Hotstar.

Theaters first!

• Opening weekend is a must for the full experience. Think: earth-shaking sound design, cloaking effects that’ll make you jump, and shared screams! 
• Check major chains like AMC, Regal, and Cinemark for IMAX/Dolby screenings. 

Streaming (post-theatrical run):

• Disney+ and Hulu are likely to have the film available approximately 45-60 days after its theatrical release, around December 2025. 
• Why? 20th Century Studios (the distributor) favors Disney-owned platforms. 
• VOD Rental/Purchase: Platforms like Amazon Prime, Apple TV, and Vudu will offer it the same day as streaming. 

Physical media:

• Collector’s Edition 4K Blu-ray (with gruesome deleted scenes!) expected by early 2026. 

Additionally, the entire original Predator franchise (1987 onward) is now fully available on Hulu, so you can binge previous films before or after.

Predator: Killer of Killers Trailer

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The Most Anticipated Upcoming Horror Movies

If you love slasher flicks with a twist, buckle up! The horror movie Clown in a Cornfield drops teens into a nightmare in rural America. It follows Quinn, a city girl forced to move to the dying town of Kettle Springs after tragedy strikes. She clashes with both rowdy local teens and bitter adults who blame youth for the town’s decay. Sound tense? Just wait… 

The real terror kicks off when Quinn’s friends crash a party at an abandoned factory—home to Frendo the Clown, a mascot for the town’s failed corn-syrup empire. Suddenly, masked figures (led by a living Frendo doll) hunt the teens through miles of suffocating cornfields. This isn’t just a killer clown; it’s generational rage turned deadly. Trust evaporates, cornstalks hide killers, and Frendo’s smile becomes pure nightmare fuel! 

While the kills are gnarly, the best performance award goes to Kristen DiMercurio as Quinn. She’s not your screamy final girl—she’s raw, smart, and channels grief into survival. Watch her in the factory chase scene: every gasp feels real, every choice believable. Michael Patrick Nicholson also shines as the unhinged local deputy, making you question who’s under the mask. The cast sells the fear without overacting—which is rare in slashers! 

Mark that Clown in a Cornfield release date: it hit theaters August 21, 2020, perfect for late-summer chills! Today, stream it on Amazon Prime, Vudu, or Apple TV. With its mix of social commentary, relentless scares, and shockingly good acting, it’s a modern cult classic. Seriously, watch it with friends… and maybe skip the corn maze this Halloween! 

Who Brings the Terror? Meet the Standout Cast of Clown in a Cornfield 

Clown in a Cornfield brings together a strong ensemble led by rising star Katie Douglas, who delivers a compelling and emotionally grounded performance as Quinn Maybrook, a teen trying to rebuild after moving to Kettle Springs. Douglas balances fear, vulnerability, and strength with impressive ease, making Quinn feel both relatable and brave.

Playing Quinn’s supportive yet tension-filled father is Aaron Abrams as Dr. Glenn Maybrook. Abrams crafts a father-daughter dynamic that resonates, offering warmth and genuine care amid looming terror. Their on-screen chemistry provides a solid emotional core and keeps viewers invested.

Teen rebel Cole Hill is brought to life by Carson MacCormac, whose performance blends teenage angst with an undercurrent of mystery, fueling suspicion around the central legend of Frendo. The adults behind the tension in town include Kevin Durand as Arthur Hill—a commanding presence with chilling nuance—and Will Sasso as Sheriff Dunne, who effectively balances comedic timing with gravitas.

The supporting cast also shines: Cassandra Potenza as Janet, Verity Marks as Ronnie, Bradley Sawatzky as Mr. Vern, and Vincent Muller as Rust (Ruston Vance) each contribute to the small-town dynamics and escalating dread. Props to Ayo Solanke, Alexandre Martin Deakin, and Daina Leitold for giving the teen group a relatable and cohesive vibe, elevating the stakes when Frendo strikes.

Overall, this cast of Clown in a Cornfield brings balanced performances across age groups. The young leads carry the story’s emotional weight, while the adult actors add credibility, tension, or comic relief where needed. Director Eli Craig ensures each character resonates, making this small-town horror both grounded and chilling—definitely an ensemble to watch in 2025.

Actor	Character	Role Description
Katie Douglas	Quinn Maybrook	Teenage protagonist, city girl adjusting to Kettle Springs
Aaron Abrams	Dr. Glenn Maybrook	Quinn’s father and new town physician
Carson MacCormac	Cole Hill	Teen rebel tied to dark town secrets
Kevin Durand	Arthur Hill	Cole’s authoritative, corn-syrup mogul father
Will Sasso	Sheriff George Dunne	The town’s weary law enforcer
Cassandra Potenza	Janet Murray	Queen Bee of Quinn’s teen friend group
Verity Marks	Ronnie Queen	One of Quinn’s close high‑school friends
Bradley Sawatzky	Mr. Vern	The strict science teacher in charge of study hall
Vincent Muller	Rust (Rust Vance)	Big‑hearted friend of Cole’s
Ayo Solanke	Tucker Lee	Member of the teen friend group
Daina Leitold	Trudy	Another friend within the central teen ensemble
Dylan McEwan	Tyler	Teen partygoer who joins the group
Kaitlyn Bacon	Jessica	Supporting teen character
Jeff Strome	Frendo (knife-wielding)	One of the killer clown manifestations
Jake Kennerd	Frendo (crossbow-wielding)	Another Frendo variant
Anders Strome	Frendo (axe/fork-wielding)	Additional Frendo form
Heath Vermette	Animal Control Worker	Minor town official role
William Whyte	Town Official (uncredited)	Brief appearance as town functionary

Clown in a Cornfield Release Date

The Clown in a Cornfield horror movie had its first public debut at the South by Southwest Film Festival on March 10, 2025.

Its official U.S. theatrical release date was May 9, 2025, distributed widely by RLJE Films and Shudder in over 2,800 cinemas.

Following its time in theaters, the film became available on digital platforms—and for home viewing—starting June 10, 2025 (available for rent or purchase on services like Amazon Prime, Apple TV, and Fandango at Home).

As for streaming, it will arrive exclusively on Shudder, though the exact date hasn’t been confirmed yet. It could debut as soon as mid-June or as late as October 2025.

As of 2025, the horror movie Clown in a Cornfield (2020) is not on Netflix or Hulu. Here’s.

Summary – Clown in a Cornfield Release Dates

• SXSW Premiere: March 10, 2025
• U.S. Theatrical Release: May 9, 2025
• Digital (Buy/Rent): June 10, 2025
• Shudder Streaming: Date TBD (likely between June and October 2025)

If you’re a horror fan eyeing the Clown in a Cornfield release date, now you’ve got all the key milestones! Let me know if you want info on international release dates or streaming windows for other regions.

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Final Destination: Bloodlines is a chilling return to the franchise that redefined supernatural thrillers. This new chapter explores the terrifying idea of fate catching up with a cursed family. The story begins when a young medical student named Lila discovers a horrifying link between a series of gruesome deaths and her ancestors. After narrowly surviving a freak accident at a college lab, she learns that death has a plan, and breaking the chain won’t be easy.

As Lila digs deeper, she uncovers her family’s long-hidden connection to the survivors of past Final Destination tragedies. Guided by a mysterious journal left by a distant relative, she realizes that the curse runs through generations of bloodlines—and skipping death once means someone else in the family must die in their place. Each clue leads to disturbing truths, and one by one, relatives fall victim to bizarre, tragic fates.

This upcoming horror movie, Final Destination: Bloodlines, blends psychological horror with the classic tension fans expect. With smart writing and creative death sequences, it’s not just a sequel—it’s a bold reinvention. Backed by experienced horror directors and practical effects, it promises a truly terrifying experience that explores fate, guilt, and survival in a fresh and compelling way.

Final Destination: Bloodlines Cast – Meet the Family of Survivors

Kaitlyn Santa Juana leads as Stefani Reyes, a college student haunted by visions tied to her grandmother’s past. Through her strong, grounded portrayal, Stefani carries the emotional weight of a family cursed by Death. Joining her, Teo Briones plays Stefani’s brother Charlie, adding depth and brother-sister chemistry. Horror veteran Tony Todd returns as William Bludworth, the enigmatic mentor who guides survivors through the chilling rules of fate—they say his final appearance is both poignant and authoritative

Fresh Faces & Supporting Talent

Critics have praised Richard Harmon’s performance as magnetic, funny, and tragic, as he portrays Erik Campbell, a tattoo shop owner whose dramatic turn stands out. Alongside him, Owen Patrick Joyner plays cousin Bobby, whose loving relationship with Erik adds warmth and poignancy. Other strong additions include Brec Bassinger, Anna Lore, Rya Kihlstedt, Max Lloyd-Jones, and Tinpo Lee, who each bring a fresh dynamic to the family-oriented ensemble.

Standout Performance and Expertise

Among the impressive cast, Richard Harmon’s portrayal of Erik consistently earns top praise. Reviewers describe him as a “scene stealer” and “surprisingly thoughtful,” with a powerful MRI machine death scene. Richard Harmon’s performance, layered with humor, heartbreak, and horror, is truly remarkable. Equally, Tony Todd’s final turn as Bludworth offers emotional depth and genre legend credibility, marking a memorable close to his iconic role.

In short, Final Destination: Bloodlines blends veteran horror gravitas with new, strong talent. While Tony Todd adds depth and legacy, Richard Harmon delivers the best performance, bringing emotional nuance to this generational horror tale. The results truly reflect seasoned writing, directing, and acting.

Final Destination Bloodlines Release Date and Trailer

The horror movie Final Destination: Bloodlines premieres in U.S. theaters on May 16, 2025, with international dates starting May 14. This release date coincides with the 25th anniversary of the original series, a significant milestone for horror enthusiasts.

Filming took place in Vancouver, British Columbia, from March 4 to May 13, 2024, after delays from the SAG AFTRA strike. Directors Adam Stein and Zach Lipovsky created visuals tailored for both standard and IMAX formats, including special cues signaling Death’s approach. Their careful craftsmanship adds depth and suspense, reinforcing the film’s quality and trustworthiness.

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Final Destination may be the hardest horror franchise to spoil. By virtue of its basic conceit after narrowly escaping a disaster with the help of a premonition, a group of people are stalked and killed by Death itself — almost all of these movies end with a high body count and no one making it out alive.

The thrill is less about who will survive and more about how they’ll bite it. Death, as it turns out, has a nasty sense of humor and a whimsical appreciation for Rube Goldberg chain reactions, making each subsequent entry in the series an act of one-upmanship for elaborate kills. Final Destination: Bloodlines, the first new installment since 2011’s Final Destination 5, deserves praise for its innovative approach, despite its predictable conclusion.

Bloodlines immediately unveils its unique take on the Final Destination format. The opening takes us back to 1968, where a young Iris Campbell (Brec Bassinger) has a sudden vision in which the Skyview, a high-rise tower with a ritzy restaurant at the top, collapses. The disaster is meant to claim the lives of Iris, her fiancé Paul (Max Lloyd-Jones), and everyone else inside. But instead of continuing the story currently Iris comes to after her vision, the film jumps forward to the present day, where Iris’ premonition has become her granddaughter Stefanie’s (Kaitlyn Santa Juana) recurring nightmare. Death’s focus shifts from the Skyview survivors to their descendants.

Here’s the basic idea: Back in 1968, Iris was able to save every single person who would have perished in the tower collapse, which left Death with an overwhelming number of people to pick off in the order they were supposed to have died. Death took so long to reach everyone that survivors had children who were never meant to be born. Those family lines continued, and now Death has a lot of cleaning up to do. (This is why you delegate!) Once Death finally claims an older Iris (Gabrielle Rose), it sets about killing her progeny in birth order.

How it all ends

By the end of Bloodlines, Death has done an appropriately thorough job. First, he takes care of Iris’ firstborn child, Howard (Alex Zahara), who gets a lawnmower to the face. Then, there’s Howard’s daughter, Julia (Anna Lore), whose head is crushed by a trash compactor, and his son, Bobby (Owen Patrick Joyner), who ends up with a wire coil through the brain thanks to an overly magnetized MRI machine.

(Julia and Bobby’s brother, Erik, played by Richard Harmon, turns out to not be Howard’s biological son, but he gets brutally killed by the same MRI because Death is a messy bitch who lives for drama.) Next, we meet Iris’ daughter, Darlene (Rya Kihlstedt), and her estranged children, Stefanie and her little brother, Charlie (Teo Briones).

Before her long-delayed demise, Iris was living in a safe house designed to protect her from any of Death’s traps. While admittedly not the chillest place to hang out, it’s perhaps the only refuge that will keep Stefanie and her family alive. Darlene is next on Death’s list, so if they can protect her, Stefanie and Charlie will be safe, too.

The three head to Iris’ cabin in Darlene’s RV, but they crash just outside the door, and Stefanie’s seat belt jams. She tells Charlie to get Darlene inside while she tries to get out of the car. Obviously, Death will not tolerate any of this, orchestrating a chain reaction that explodes the cabin, trapping Charlie under debris, and sending the RV into the water with Stefanie still trapped inside.

Darlene successfully lifts a substantial chunk of the cabin off Charlie, but a falling lamppost immediately smashes her. That means it’s Stefanie’s time to go, and she’s conveniently already drowning in the RV. Charlie rushes to save her and manages to get her seat belt off, but she’s lost consciousness. Stefanie appears lifeless until Charlie administers CPR, causing her to awaken and gasp for breath.

As traumatic as this experience is, it may be what saves her: Earlier in the film, Death expert William Bludworth (Tony Todd) explains that the only way to get yourself off of Death’s list is by killing someone else and taking their remaining years (as seen in Final Destination 5) or by dying and being brought back to life (as seen in Final Destination 2). The latter option is clearly the kinder one, and it seems to be the most effective, in that it makes Death abandon the list entirely and skip any remaining victims.

By drowning and being brought back to life, Stefanie has saved herself and her brother. Or so she thinks. In the final scene of Bloodlines, the doctor father of Charlie’s prom date helpfully explains that Stefanie’s heart never stopped, which means she didn’t actually die. That suggests Stefanie and Charlie are still very much on Death’s list.

Just as they realize they’re screwed, a penny rolls onto the train tracks nearby — the same penny that led to the tower collapse in Iris’ 1968 vision!) and causes a derailment that sends the entire train rolling through the neighborhood. While the siblings are able to outrun it before it skids to a stop, multiple logs fly out (another Final Destination 2 callback), killing Stefanie and then Charlie.

Bloodlines’ exceptional box-office performance seemingly ensures a sequel, even though Death’s work is complete. While movies in this series are historically only loosely connected, the sixth film’s lore-heavy storytelling feels like Final Destination’s attempt at creating a more cohesive universe. We can only speculatively envision the seventh franchise film, basing our assumptions on the series’ established rules and unresolved issues.

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What’s going to happen in Final Destination 7?

Option A: The sole survivors return

Final Destination has not yet been able to pull off a legacy sequel in the style of 2022’s Scream or the upcoming I Know What You Did Last Summer, mostly because there are so few surviving characters to bring back outside of Tony Todd’s Bludworth. (Todd has sadly passed, making this film his swan song.)

Bloodlines comes closest, however, with an explicit mention of Kimberly Corman, the heroine of Final Destination 2 (played by A.J. Cook), who defied Death 22 years ago by driving a van into a lake, drowning, and being brought back to life. Is it possible that she’d return? Curiously, Bludworth doesn’t mention Kimberly’s pseudo-love interest, Thomas Burke (Michael Landes), who was also saved by her temporary sacrifice, since he would have been the next person to die.

Bludworth’s reference to Kimberly as a sole survivor confirms that an alternate scene from the Final Destination 3 “Choose Your Fate” DVD — yes, this is a real thing — isn’t canon. In one of the forking paths viewers could choose, a newspaper article reveals that Kimberly and Burke were pulled into a woodchipper at a hardware store. (There is a woodchipper sketched in Iris’ notebook of past Death traps in Bloodlines, but you have to believe Death has gone the Fargo route multiple times over the last several decades.)

There’s another Final Destination 3 survivor who could return in the next sequel, too: Wendy Christensen, played by Mary Elizabeth Winstead. That film’s conclusion is a little ambiguous; Wendy has a premonition of a subway crash that will also kill her sister Julie (Amanda Crew) and her love interest Kevin (Ryan Merriman), but we cut to black before we see what happens. Producer Craig Perry has confirmed the death of Wendy, Julie, and Kevin, while Winstead herself remains uncertain about her fate.

Of course, Final Destination 7 could also bring back Bloodlines’ Stefanie and Charlie by lightly retconning their deaths in logs as another premonition, but that feels like a cheat that’s not in the spirit of the franchise.

Option B: Surprise, more family members!

Bloodlines introduces the concept that any offspring you have after deceiving Death will also be targeted, which presents a significant challenge. We only meet Iris’ family line in the film, but surely many of the survivors of the Skyview incident at the start of the movie went on to have kids, who then had kids themselves. And who knows, maybe Darlene has other secret children of her own. We don’t know what she was up to in all those years of estrangement.

Before Bloodlines’ release, Final Destination fans also speculated that the love child of the original movie’s Alex Browning (Devon Sawa) and Clear Rivers (Ali Larter) could appear. One of that film’s scrapped endings showed us Alex dying and Clear giving birth to their son.

This would have saved her from Death because the creation of new life is another loophole — curiously, Bludworth does not mention this in Bloodlines, perhaps because telling Stefanie to get herself knocked up would be a little rude. Obviously, Final Destination avoided that very silly ending, and Clear doesn’t mention a child in Final Destination 2. (She also explodes, indicating that she never made it off Death’s list.) If the next movie wants to maintain the family theme, then Alex Browning II could be a distant possibility.

Option C: The Butterfly Effect

If uncovering additional secret family members proves to be too dramatic for the franchise, Final Destination 7 could potentially revisit the concept of the butterfly effect. This is not the Ashton Kutcher film, but rather the idea presented in Final Destination 2, which holds that anyone who saves someone who should have also died falls into Death’s list. It’s not as complicated as it sounds: The survivors of Flight 180 from Final Destination unintentionally rescued the Route 23 pileup survivors in Final Destination 2.

For example, Kat Jennings (Keegan Connor Tracy) reveals that she was on her way to a bed and breakfast when her bus hit someone. That turns out to have been Terry Chaney (Amanda Detmer), whom we saw splattered in the first Final Destination. Kat never made it to the lodge, where she would have died from a gas leak that killed the guests. Okay, so maybe it is a little convoluted.

Basically, Death is a massive control freak, and it considers any lives saved by people who cheat it to be loose ends. The seventh film could focus on people granted extra time by characters from any prior movie in the series. It would be a fun way to reference some of the franchise’s more iconic deaths and a reinforcement of the films’ shared continuity. However, contemplating this idea is quite overwhelming for me. Just trying to explain all of this required more brainpower than any Final Destination film should, so maybe this isn’t the best sequel idea to pursue.

Option D: Going back in time

How about something completely different? Back in 2013, producer Craig Perry had a bold idea for a sequel to Final Destination 5: a trip back to the 12th century. Whether this would have been a sort of origin story for the series’ premonitions or simply a gory period piece is unclear. Perry was so confident in his take, however, that he hired editor Alexander McNeill to put together a concept trailer for Final Destination 6: The Dark Age.

It’s a pretty intriguing preview of what that abandoned idea could have looked like, even if it is just clips from existing movies and shows cut together. The fact that Bloodlines begins in the ’60s suggests the franchise could take a page from the Predator series, which has discovered that its basic premise works well enough in any period of history.

And yes, technically Final Destination 5 went back in time, because it takes place right before the first Final Destination, but a flip phone does not a period piece make.

The Only (Real) Option: A brand new story

Ultimately, if the next Final Destination movie wants to stay true to the franchise, it should start from (relative) scratch. Just give us a new lead, a new premonition, and a new set of characters whose escape from the inciting disaster dooms them to even more horrifying ends. These films work best when they’re not weighed down by lore. We’re not watching for the shocking return of Alex and Clear’s son — we’re watching to see what sadistic tricks Death has up its sleeve.

In an era of horror mired in pathos and trauma metaphors, there’s a refreshing simplicity to movies that are just about finding new ways to turn people into goop. (And with practical effects, please.) As tempting as it might be for producers to lean into our Marvel-induced obsession with shared cinematic universes, the best version of Final Destination 7 might be the one that goes back to brutal basics.

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